Art Law Report

Léone Meyer’s Claims for Pissarro Transferred to Oklahoma

Posted by Nicholas O'Donnell on April 7, 2015 at 10:42 AM

A U.S. District Court judge has taken the recent invitation of the Second Circuit Court of Appeals, and transferred to Oklahoma a lawsuit by Léone Meyer over ownership of a Camille Pissarro painting at the Fred Jones, Jr. Museum at the University of Oklahoma. The case will now proceed in Oklahoma, where the museum seems likely to assert both sovereign immunity under Oklahoma law, as well as an argument that transfers in Switzerland conferred legal title to the museum as a successor to those transfers. However counterintuitive it seems, it may yet be that a court could agree with Meyer that the painting was stolen, but agree with Oklahoma that a Swiss litigation in the 1950s about whether it was sold to a good faith buyer means that Oklahoma holds full title and ownership.

Read More

Topics: David Findlay Jr. Inc., due process, third party beneficiary, Metropolitan Museum of Art, Raoul Meyer, Nazi Occupation, American Alliance of Museums, University of Oklahoma, Aaron and Clara Weitzenhofer, Judge Colleen McMahon, Fred Jones Jr. Museum of Art, AAM, Vichy, La bergère rentrent des moutons, Association of Art Museum Directors, Restitution, David Findlay Galleries, World War II, CPLR 301, Switzerland, Leone Meyer, long art statute, Camille Pissarro, Museums, personal jurisdiction, AAMD, Christoph Bernoulli, Swiss judgment, Rep. Mike Reynolds

Claim for Pissarro Painting Could be Heading to Oklahoma

Posted by Nicholas O'Donnell on March 16, 2015 at 6:00 AM

An interesting development happened last week in the case seeking restitution of a Camille Pissarro painting held by the University of Oklahoma. The plaintiff Leone Meyer appealed the May 14, 2014 judgment that found that the courts of New York lacked jurisdiction over the Oklahoma-based defendants affiliated with the University of Oklahoma (the painting is in the Fred Jones, Jr. Museum of Art). Without ruling on the jurisdictional basis for dismissal, the 2nd Circuit Court of Appeals remanded the matter back to the trial court for consideration of whether the case should be transferred to Oklahoma. It seems likely that it will be, or even if not, that she will file a new case there and the matter will continue. It’s splitting hairs, but many of the headlines suggesting that the Court of Appeals had revived Meyer’s claims are not quite right; Meyer’s claims have still never been addressed on the merits (so they were never dead) and, as discussed below, another forum remains available to her. The larger point is that a second round is likely coming in Oklahoma.

Read More

Topics: David Findlay Jr. Inc., Raoul Meyer, Nazi Occupation, University of Oklahoma, Aaron and Clara Weitzenhofer, Judge Colleen McMahon, Fred Jones Jr. Museum of Art, Vichy, La bergère rentrent des moutons, Restitution, David Findlay Galleries, World War II, Switzerland, Leone Meyer, Camille Pissarro, Museums, personal jurisdiction, Christoph Bernoulli, Swiss judgment

Lauder Wall Street Journal Nazi-Looted Art Editorial, Art Law Report Post, and the Response: Some Clarification and Context

Posted by Nicholas O'Donnell on July 18, 2014 at 5:32 AM

Two weeks ago, we posted an article entitled “Lauder Editorial on Stolen Art Fails the Glass House Test.” The metaphor was not intended to be complicated: it seemed inconsistent, to put it politely, for the honorary board chairman of a museum that has resisted restitution claims by asserting, for example, the statute of limitations and the laches defense, now to say that museums that do just that are “immoral.” Ultimately, we posited that restitution decisions are complicated and hard. It seemed an open question for example as to what, exactly, Ronald S. Lauder’s editorial "Time to Evict Nazi-Looted Art From Museums" was designed to draw attention. Right on cue, another article appeared calling for the return of the Camille Pissarro in the Thyssen-Bornemisza Foundation museum in Madrid (Rue St. Honoré, effet de pluie) claimed by the heirs of Lilly Cassirer. It is clear that the June 30, 2014 Art Law Report raised more than a few hackles, but we welcome discussion and criticism. An exchange of ideas is what we are here to foster, after all. In the end, however, some clarification shows that there is not really a disagreement here, but rather that the response highlights frustration with civil law countries' treatment of stolen art.

Read More

Topics: Cristoph Bernoulli, Ronald S. Lauder, La bérgère, Norton Simon Museum, Paul Mendelssohn-Bartholdy, Jr. Museum of Art, Holocaust Art Restitution Project, Washington Conference Principles on Nazi-Confiscat, American Alliance of Museums, Fred Jones, University of Oklahoma, David Findlay Jr. Gallery, Judge Colleen McMahon, MoMA, Plundered Art, specific jurisdiction, Madame Soler, N.Y. Civ. P. Law & Rules § 301, Adam, general jurisdiction, AAM, Museum of Modern Art, World Jewish Congress, Restitution, Marei Von Saher, Mendelssohn-Bartholdy, David Findlay Galleries, N.Y. Civ. P. Law & Rules § 302, Free State of Bavaria, Wall Street Journal, World War II, Switzerland, Pinakothek der Moderne, Leone Meyer, Lucas Cranach the Elder, Portrait of Wally, Freistaat Bayern, Weitzenhoffer, Camille Pissarro, Pablo Picasso, AAMD, Association of Museum Directors, Eve, New York, Time to Evict Nazi-Looted Art From Museums

Remaining Claims Against AAM, AAMD Related to Pissarro “La Bergere” in Oklahoma Are Dismissed

Posted by Nicholas O'Donnell on May 23, 2014 at 5:34 AM

As we reported last week, the U.S. District Court dismissed claims against the Fred Jones, Jr. Museum of Art, the University of Oklahoma, and associated Oklahoma defendants, over title to the Camille Pissarro painting La bergère rentrent des moutons (a case in which I represented the David Findlay Jr. Gallery).

Read More

Topics: David Findlay Jr. Inc., due process, third party beneficiary, Metropolitan Museum of Art, Raoul Meyer, Nazi Occupation, American Alliance of Museums, University of Oklahoma, Aaron and Clara Weitzenhofer, Judge Colleen McMahon, Fred Jones Jr. Museum of Art, AAM, Vichy, La bergère rentrent des moutons, Association of Art Museum Directors, Restitution, David Findlay Galleries, World War II, CPLR 301, Switzerland, Leone Meyer, long art statute, Camille Pissarro, Museums, personal jurisdiction, AAMD, Christoph Bernoulli, Swiss judgment

Claims Against University of Oklahoma Over Pissarro "La bergère" Dismissed on Jurisdictional Grounds

Posted by Nicholas O'Donnell on May 15, 2014 at 11:09 AM

The U.S. District Court for the Southern District of New York has dismissed the much-publicized claims by Leone Meyer against the University of Oklahoma and related Oklahoma public officials and insitutions for the return of La bergère rentrent des moutons by Camille Pissarro, currently in the Fred Jones, Jr. Museum of Art. In full disclosure: I represented David Findlay, Jr., Inc. in the action, who was dismissed from the action last year by agreement.

Read More

Topics: David Findlay Jr. Inc., due process, third party beneficiary, Metropolitan Museum of Art, Raoul Meyer, Nazi Occupation, American Alliance of Museums, University of Oklahoma, Aaron and Clara Weitzenhofer, Judge Colleen McMahon, Fred Jones Jr. Museum of Art, AAM, Vichy, La bergère rentrent des moutons, Association of Art Museum Directors, Restitution, David Findlay Galleries, World War II, CPLR 301, Switzerland, Leone Meyer, long art statute, Camille Pissarro, personal jurisdiction, AAMD, Christoph Bernoulli, Swiss judgment

About the Blog


The Art Law Report provides timely updates and commentary on legal issues in the museum and visual arts communities.

Meet the Editor

Learn more about our Art & Museum Law practice

Subscribe to Blog

Recent Posts

Posts by Topic

see all