L'Harmattan has published a new volume entitled Éthique et patrimoine culturel—Regard croisés (Ethics and Cultural Patrimony: Viewpoints), which is a collection of papers presented at a conference in October, 2015 at L'Ecole du Louvre in Paris. I spoke at the conference and submitted the full treatment of my remarks to the book entitled "Public Trust or Private Business? Deaccessioning Law and Ethics in the United States." My co-presenters were eloquent and their expanded research and essays are well worth reading. Copies can be ordered here.
Topics: cultural property, Denis Michel Boëll, Ecole du Louvre, National Consultative Ethics Committee, Deaccession, Schwabinger Kunstfund, Marie Cornu, Musée de la Marine, Council of Voluntary Sales, Tehran, Baptiste Brown, Marie Berducou, Stéphane Duroy, University of Toulouse Capitole, Michel Van Praët, University of Shahid Beheshti, Philippe Durey, Arnaud Beaufort, University of Poitiers, University Western Bretagne, Nathalie Heinich, Milan, Julien Chapuis, Pinacoteca di Brera, French National Commission for UNESCO, Philippe-Henri Dutheil, University Rennes, Vincent Negri, Céline Castets- Fox, Astrid Müller Katzenburg, Sophie Vigneron, Sullivan & Worcester LLP, Events, University of Kent, Museum for Byzantine Sculpture Collections and Art, Noëlle Timbart, Dominique Jarrassé, Claire Barbillon, Gilles Ragot, University of Montreal, State Museums in Berlin, International Society For Law Research of Cultural, Edouard Planche, Emmanuelle Polack, Université Paris Sud, EY Société d’avocats, Janet Blake, Jacques Bittoun, Catherine Chadelat, Jérôme Fromageau, Vincent Gautrais, Geraldine Goffaux Callebaut, Daniel Janicot
I am speaking at a conference on March 23-24, 2017 at the University of Cambridge (UK) entitled “From Refugees to Restitution: The History of Nazi Looted Art in the UK in Transnational Perspective.” My presentation will address the various national panels created in response to the Washington Conference by European countries to address claims for Nazi-looted art in state collections. The roster of speakers is impressive (present company excluded), and it promises to be a fascinating two days. The program is available here, and the conference website is here.
Topics: Wiesbaden, London, Holocaust Art Restitution Project, Paris, Art Recovery Group, Constantine Cannon LLP, Emily Löffler, Pierre Valentin, Events, Johannes Nathan, Karlsruhe, Marc Masurovsky, Sotheby's, Nicholas M. O'Donnell, Emmanuelle Polack, Leopold Museum, Frankfurt, Jewish Claims Conference, Victoria Louise Steinwachs, Debbie De Girolamo, Tabitha I. Oost, Bianca Gaudenzi, Jewish Museum Prague, Robert Holzbauer, Tessa Rosebrock, Staatliche Kunsthalle, Laurel Zuckerman, Shlomit Steinberg, Richard Aronowitz-Mercer, Maike Brueggen, Nathalie Neumann, Simone Gigliotti, Royal Holloway University of London, Anne O. Popham, Ulrike Schmiegelt-Rietig, Isabel von Klitzing, Landesmuseum Mainz, Michaela Sidenberg, Mary Kate Cleary, Institut National d’Histoire de l’Art, Fluchtgut, Diana Kostyrko, Elizabeth Campbell, University of Denver, Evelien Campfens, Leiden University, Angelina Giovani, Jennifer Gramer, Agata Wolska, Nathan Fine Art GmbH, Potsdam, Friederike Schwelle, Art Loss Register, Provenance Research & Art Consulting
Topics: Pierre Gabus, Anne Laure Bandle, Art Law Foundation, Geneva, artgenève, Sandrine Giroud, Lalive, Events, University of Geneva, Ursula Cassani, Riccardo Sansonetti, Simon Studer, Mathilde Heaton, Responsible Art Market, Fondation pour le Droit d’Art, Marc-André Renold, Jean-Bernard Schmid, Rakhi Talwar, Ralph Wyss, RAM
The NYU School of Professional Studies and Jane C.H. Jacob of Art Vérité, Alice Farren-Bradley of the Museum Security Network, and Christopher A. Marinello of Art Recovery Group will present this year’s edition of the Art Crime Symposium next week in New York. This conference annually puts together a remarkable array of experts and speakers, and this year is no different. Three days of panels addressed to he themes of Theft and Fraud; Looting and Destruction; and Fakes and Forgeries will challenge and illuminate the audience. Registration is available here, and the following is drawn from the program. Highly recommended!
On November 8, 2016, a conference will take place organized jointly by the Art Law Foundation and the Art-Law Centre of the University of Geneva entitled Risks in the attribution of works of art: expert practices and legal considerations. These organizations have steadly put forth multiple events per year that stand out for their breadth and substance. Registration and further information are available here for this event, which promises to be another top-level presentation. The general program (my translation) is below:
The details are out on the annual National Cultural Heritage Law Moot Court Competition at DePaul College of Law in Chicago. Information and registration are available here. DePaul features one of the preeminent legal curricula about cultural property, and reliably puts out terrific programming. One such event is the annual moot court competition, for which interested volunteers and judges are always welcome. Previous topics have included the always-contentious scope of the Foreign Sovereign Immunities Act on cultural disputes, theNative American Graves Protection and Repatriation Act and the Takings Clause of the Fifth Amendment; the constitutionality of the Theft of Major Artwork Act, which was passed under the Commerce Clause; the Immunity from Seizure Act and the equitable defense of laches; and the mens rea requirement and extraterritorial application of the Archaeological Resources Protection Act.
The Art Law Centre in Geneva, which has sponsored terrific events in the past, is holding another at the end of next month:the Second All Art and Cultural Heritage Law Conference. Registration is available now (before June 13) for what looks to be an engaging two days. From the program:
The Art-Law Centre and the UNESCO Chair in the International Law of the Protection of Cultural Heritage are proud to invite you to participate in the second “All Art and Cultural Heritage Law” conference, which will be dealing with the two following highly relevant themes: cultural heritage in the crossfire and the relationship between law and ethics in the field of cultural heritage. It will also present some national and regional experiences regarding the implementation of cultural heritage law. Once again Geneva hopes to be for these two days the “capital of the world” of art and cultural heritage law.
I have not been able to manage it in years prior, but a bi-annual event is coming up soon that is well worth the visit for anyone in the vicinity. The Authentication in Art (AiA) foundation is an independent non-profit that facilitates and controls the AiA Congress. This year’s Congress, the first since 2014, will take place next month in The Hague. Registration is available on the group’s site here.
Event—The Perspective of the Art Market in Italy
A fascinating event will be held in Milan on April 9, 2016 on the current perspective of the art market in contemporary Italy. I cannot make it, but it promises to be a worthwhile event for anyone able to attend. Market-focused discussions like this are an essential component of a sophisticated understandingof the current situation.
I am pleased to be speaking at a conference in two weeks at Georgetown University Law Center entitled Intersections in Cultural Heritage Law. The two-day conference will address developments in international human rights and cultural heritage law, intersections of criminal and civil law concerning cultural property, extraterritorial protection of cultural property, and the international movement and restitution of cultural artifacts. In addition, world heritage and the world court will be discussed.