A recent report by the World Jewish Restitution Organization (WJRO) has made strong criticisms of American museums with respect to their handling of Nazi-looted art claims. In particular, the report criticizes the assertion of timeliness defenses such as statutes of limitations. The report focuses in particular on cases involving the Museum of Fine Arts, Boston, the Norton Simon Museum in Pasadena, the Toledo Museum of Art, and the Fred Jones, Jr. Museum at the University of Oklahoma. There is no state control over the vast proportion of art in America the way there is in most European countries, and thus, no possibility of singular, nationalized approaches. In response to the report, some of the museums mentioned have defended their strategies, though in some cases the players are talking past each other. What is undeniable is that whether as a function of the nature of U.S. museums (largely private, rather than public), it is hard to say there is a coordinated approach to the issue, good or bad. The report is lengthy and detailed, and well worth a read in depth that space here does not permit. In some ways, the question it poses boils down to this: is determining the historical truth the obligation of everyone involved or is there some room to prevail without addressing the larger issues?
Topics: Toledo Museum of Art, Street Scene in Tahiti, Léone Meyer’s, American Association of Museums, Two Nudes, La bérgère, AAMD Task Force on the Spoliation of Art during th, Thyssen-Bornemisza Collection, Rue St. Honoré après-midi êffet de pluie, University of Oklahoma, Cassirer, Nazi-looted art, Washington Conference on Holocaust Era Assets, Fred Jones Jr. Museum, Washington Principles on Nazi-Confiscated Art, World Jewish Restitution Organization, WJRO, Association of Art Museum Directors, Restitution, American Alliance of Museums AAM, World War II, Paul Gaugin, Camille Pissarro, Oskar Kokoschka, Museums, Museum of Fine Arts Boston, AAMD, Norton Simon Museum in Pasadena
Two weeks ago, we posted an article entitled “Lauder Editorial on Stolen Art Fails the Glass House Test.” The metaphor was not intended to be complicated: it seemed inconsistent, to put it politely, for the honorary board chairman of a museum that has resisted restitution claims by asserting, for example, the statute of limitations and the laches defense, now to say that museums that do just that are “immoral.” Ultimately, we posited that restitution decisions are complicated and hard. It seemed an open question for example as to what, exactly, Ronald S. Lauder’s editorial "Time to Evict Nazi-Looted Art From Museums" was designed to draw attention. Right on cue, another article appeared calling for the return of the Camille Pissarro in the Thyssen-Bornemisza Foundation museum in Madrid (Rue St. Honoré, effet de pluie) claimed by the heirs of Lilly Cassirer. It is clear that the June 30, 2014 Art Law Report raised more than a few hackles, but we welcome discussion and criticism. An exchange of ideas is what we are here to foster, after all. In the end, however, some clarification shows that there is not really a disagreement here, but rather that the response highlights frustration with civil law countries' treatment of stolen art.
Topics: Cristoph Bernoulli, Ronald S. Lauder, La bérgère, Norton Simon Museum, Paul Mendelssohn-Bartholdy, Jr. Museum of Art, Holocaust Art Restitution Project, Washington Conference Principles on Nazi-Confiscat, American Alliance of Museums, Fred Jones, University of Oklahoma, David Findlay Jr. Gallery, Judge Colleen McMahon, MoMA, Plundered Art, specific jurisdiction, Madame Soler, N.Y. Civ. P. Law & Rules § 301, Adam, general jurisdiction, AAM, Museum of Modern Art, World Jewish Congress, Restitution, Marei Von Saher, Mendelssohn-Bartholdy, David Findlay Galleries, N.Y. Civ. P. Law & Rules § 302, Free State of Bavaria, Wall Street Journal, World War II, Switzerland, Pinakothek der Moderne, Leone Meyer, Lucas Cranach the Elder, Portrait of Wally, Freistaat Bayern, Weitzenhoffer, Camille Pissarro, Pablo Picasso, AAMD, Association of Museum Directors, Eve, New York, Time to Evict Nazi-Looted Art From Museums
The Wall Street Journal published an editorial today by Ronald S. Lauder entitled “Time to Evict Nazi-Looted Art From Museums.” Lauder, the one-time U.S. Ambassador to Austria, current President of the World Jewish Congress, and Honorary Chairman of the Board of Trustees of the Museum of Modern Art in New York, is a frequent commentator on questions of stolen art. He was, for example, a reliably-available quote on the Gurlitt affair: on Germany’s steps to deal with it (or criticism for Germany’s action) and the question of stolen art in German museums. But a prominent case several years ago involving a museum with which Lauder himself is involved suggests that perhaps over-simplification is not the answer.
Topics: Ronald S. Lauder, La bérgère, Norton Simon Museum, Gurlitt affair, Paul Mendelssohn-Bartholdy, Florence Kesselstatt, Judge Jed Rakoff, Julius Schoeps, Washington Conference Principles on Nazi-Confiscat, Germany, University of Oklahoma, Monuments Men, David Findlay Jr. Gallery, MoMA, Adam, Museum of Modern Art, Edelgard von Lavergne-Peguilhen, World Jewish Congress, Boy Leading a Horse, Restitution, Marei Von Saher, Wall Street Journal, World War II, Lucas Cranach the Elder, Portrait of Wally, Camille Pissarro, Le Moulin de la Galette, U.S. Ambassador to Austria, Pablo Picasso, Museums, New York Times, Eve, New York, Time to Evict Nazi-Looted Art From Museums