Art Law Report

Gurlitt Can’t Get His Story Straight About Salzburg Trove

Posted by Nicholas O'Donnell on March 27, 2014 at 6:30 AM

As confusion swirls around Cornelius Gurlitt’s actual plans, one of the issues is that his team is not speaking consistently with one voice. In particular, there are odd developments about the artworks that Gurlitt himself had removed from his Salzburg home in February—oddities that are worth weighing when considering the recent public statements about his supposed willingness to return some of the art. The fact that Gurlitt’s team itself has undergone a shakeup is also worthy of note.

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Topics: Schwabinger Kunstfund, Hannes Hartung, Hildebrand Gurlitt, Cornelius Gurlitt, Stefan Edel, www.Gurlitt.Info, Mary Lane, Fall Gurlitt, Gurlitt Collection, Sitting Woman, stolen art, Meike Hoffmann, Salzburg, Restitution, Wall Street Journal, World War II, Süddeutsche Zeitung, New York Times, Raubkunst, Münchner Kunstfund, Limbach Commission, Henri Matisse, Paul Rosenberg

Gurlitt Art Return Click-Bait and Switch—Don’t Get Fooled by Headlines

Posted by Nicholas O'Donnell on March 27, 2014 at 6:17 AM

It was hardly surprising that news that Cornelius Gurlitt was willing to return artworks taken from his apartment in 2012 that had once been taken from Jews spread quickly. What is regrettable is how quickly the headlines seem to have gone viral that he is going—or even willing—to return all of the paintings. Nothing that he or his representatives have said supports that contention. From the New York Times, for example:

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Topics: Schwabinger Kunstfund, Hannes Hartung, Hildebrand Gurlitt, Cornelius Gurlitt, www.Gurlitt.Info, Mary Lane, Fall Gurlitt, Gurlitt Collection, Sitting Woman, stolen art, Meike Hoffmann, Salzburg, Restitution, Wall Street Journal, World War II, Süddeutsche Zeitung, New York Times, Raubkunst, Münchner Kunstfund, Limbach Commission, Henri Matisse, Paul Rosenberg

New Details, More Questions Than Answers in Gurlitt Nazi-Tinged Painting Find in Munich

Posted by Nicholas O'Donnell on November 5, 2013 at 4:45 AM

The Bavarian prosecutor held a press conference today to discuss the revelation this weekend in Focus that nearly 1,400 paintings had been found in the Munich apartment of Cornelius Gurlitt two years ago, after he aroused suspicion by bringing a large amount of cash back into Germany from Switzerland in 2010. This continues to shape up as the biggest restitution story in decades, perhaps ever. Among the key updates provided today by Sigfried Köble and Reinhard Nemetz, the customs official and prosecutor in charge, respectively:

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Topics: Frankfurter Allgemeine Zeitung, unbekannte Meisterwerke, Focus, Hildebrand Gurlitt, Alfred Flechtheim, the Lion Tamer, Cornelius Gurlitt, Reinhard Nemetz, Anne Weber, Gurlitt Collection, Max Beckmann, Bloomberg, Otto Dix, Commission for Looted Art in Europe, Art Market Monitor, Auktionshaus Lempertz, Entartete Kunst, Meike Hoffmann, Marc Chagall, Entdeckung verschollener Kunst, beschlagnahmte Bilder, Kunsthistorikerin, Sigfried Köble, Restitution, Der Spiegel, World War II, Süddeutsche Zeitung, Erben, Raubkunst-Bildern, Löwenbändiger, München, Nazi Raubkunst

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