Art Law Report

Cornelius Gurlitt Passes Away, Questions Remain About Recent Deal and Fate of Collection

Posted by Nicholas O'Donnell on May 7, 2014 at 2:22 AM

Cornelius Gurlitt died yesterday, six months after his art collection was revealed to the world in a Focus article, and less than a month after striking a deal with Bavarian prosecutors over the 1,280 paintings and works of art seized from his apartment as part of a tax investigation. Although that brings the investigation that initially led to the seizure to an end, many questions remain about what will happen to the deal that he made, and to the works of art in Austria not covered by that deal

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Topics: Focus, Bayern, Hildebrand Gurlitt, Cornelius Gurlitt, Germany, Nazi-looted art, Gurlitt Collection, Seated Woman, heirs, Entartete Kunst, stolen art, Anne Sinclair, Ersessene Kunst, Restitution, Bavaria, World War II, Süddeutsche Zeitung, degenerate art, Erben, Austria, NS-beschlagnahmte Kunst, Raubkunst, Henri Matisse, Paul Rosenberg

The Gurlitt Deal—Prosecutor Gives Collection Back, Agreement Leaves Questions About Process and Transparency

Posted by Nicholas O'Donnell on April 9, 2014 at 11:52 AM

The Augsburg prosecutor for the State of Bavaria announced today that in connection with Monday’s agreement with Cornelius Gurlitt, the 1,280 works of art seized from Gurlitt’s apartment in 2012 have been “returned” to Gurlitt. Though it does not appear that the objects have physically changed locations, the state officially lifted the seizure, and now has access to the collection for further provenance research pursuant to the agreement, rather than the compulsory process by which it retrieved them.

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Topics: German Ministry of Culture, Schwabinger Kunstfund, Cornelius Gurlitt, Bundesministerium für Kultur und Medien, Breslau, Augsburg, Willi Korte, London, Max Liebermann, Claude Monet, Christoph Edel, Gurlitt Collection, Ingrid Begreen-Merkel, Alt Ausee, Hildebrandt Gurlitt, stolen art, State of Bavaria, Reiter am Strand, Salzburg, Restitution, David Toren, Müncher Kunstfund, World War II, Task Force, Süddeutsche Zeitung, Freistaat Bayern, NS-beschlagnahmte Kunst, www.lostart.de, Monika Grütters, Riders on the Beach, Raubkunst, Bayerisches Staatsministerium der Justiz, Bavarian Ministry of Justice, Henri Matisse, Paul Rosenberg

Breakthrough? Gurlitt Signs Agreement with Germany For Continued Research and Commits to Return of Art

Posted by Nicholas O'Donnell on April 7, 2014 at 7:07 AM

Whether Austrian Trove is Included So Far Unmentioned In Reports of Agreement

On the heels of last night’s “60 Minutes” treatment of the Gurlitt saga (which featured Willi Korte and Ingeborg Berggreen-Merkel, two participants at January’s Ersessene Kunst-Der Fall Gurlitt at which I also spoke), news has come today that Cornelius Gurlitt has signed an agreement with the German federal government and the Bavarian Ministry of Justice with respect to the artworks taken from his apartment in 2012. Where recent statements that he intended to return what had been stolen left that outcome entirely to his discretion, he now seems to have committed expressly to some sort of return protocol. The precise details are still unknown.

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Topics: German Ministry of Culture, Schwabinger Kunstfund, Cornelius Gurlitt, Bundesministerium für Kultur und Medien, Willi Korte, London, Claude Monet, Christoph Edel, Gurlitt Collection, Ingrid Begreen-Merkel, Alt Ausee, Hildebrandt Gurlitt, stolen art, Salzburg, Restitution, Müncher Kunstfund, Task Force, NS-beschlagnahmte Kunst, www.lostart.de, Monika Grütters, Raubkunst, Bayerisches Staatsministerium der Justiz, Bavarian Ministry of Justice, Henri Matisse, Paul Rosenberg

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