Art Law Report

Gurlitt Task Force Issues Fifth Recommendation for Restitution

Posted by Nicholas O'Donnell on December 15, 2015 at 4:51 AM

Sophisticated Analysis of Adolph von Menzel Drawing Distinguishes Itself from Recent Revisionism Elsewhere

As the original term of the Gurlitt Task Force (Taskforce Schwabinger Kunstfund) winds down, the panel has issued a report on a work that it deems appropriate for restitution: Interior of a Gothic Church (Inneres einer gottischen Kirche) by Adolph von Menzel (pencil drawing, signed/dated 1874). The drawing has been called Church in Hofgastein in some English language articles.

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Topics: Interior of a Gothic Church, Hildebrand Gurlitt, Cornelius Gurlitt, Nazi Germany, Inneres einer gottischen Kirche, Dresden, Gurlitt Task Force, Adolph von Menzel, Nazi-looted art, Gurlitt Collection, Ernst Julius Wolffson, Washington Principles on Nazi-Looted Art, Advisory Commission, Munich, Albert Martin Wolffson, Salzburg, Restitution, Catrin Lorch, Bavaria, World War II, Switzerland, Süddeutsche Zeitung, Austria, Kunstmuseum Bern, Federal Republic of Germany, Raubkunst, Taskforce Schwabinger Kunstfund, Elsa Helene Cohen, Limbach Commission, Jörg Häntzschel

Gurlitt Collection May be Displayed Next Year, Real Progress Still Elusive as Focus Remains on Public Relations

Posted by Nicholas O'Donnell on October 13, 2015 at 7:43 AM

After months of relative inactivity, there was news this week in the saga of Cornelius Gurlitt, the reclusive German man from whose apartments in Munich and Salzburg more than 1,280 objects were seized as part of a tax investigation, objects that came under suspicion of Nazi looting because of the privileged position held by his father Hildebrand Gurlitt. Unfortunately, the latest news continues a string of public relations efforts that bespeak no real progress as we approach the second anniversary of the public awareness of the story. Quite unlike the plaudits that were thrown around by many last year (though not by us) concerning Germany’s agreement with Gurlitt’s named heir, the reaction has been appropriately skeptical this time.

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Topics: cultural property, Sepp Dürr, Schwabinger Kunstfund, Hildebrand Gurlitt, Art Hall of the Federal Republic of Germany, Cornelius Gurlitt, Bonn Minister of Culture, Nazi-looted art, Gurlitt Collection, Entartete Kunst, Munich, World Jewish Congress, Salzburg, Restitution, Müncher Kunstfund, Der Spiegel, World War II, Task Force, Kunstmuseum Bern, Museums, Monika Grütters, Raubkunst, Green Party, Kunsthalle der Bundesrepublik Deutschland, Ronald Lauder

Gurlitt Task Force Issues Fourth Restitution Recommendation in 14 Months

Posted by Nicholas O'Donnell on April 6, 2015 at 7:55 AM

Shortly after reports that two of the objects found in Cornelius Gurlitt’s possession in 2012 would “be restituted “soon” to the families from which they were looted under Nazi auspices pursuant to the three recommendations of the Gurlitt Task Force to date, the Task Force has now issued a fourth recommendation. The newest work to be identified for restitution is a Camille Pissarro painting, The Seine seen from the Pont-Neuf, the Louvre in the background.

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Topics: Guelph Treasure, Cornelius Gurlitt, Uta Werner, Gurlitt Task Force, Gurlitt Collection, Salzburg, Restitution, District Court of Munich, World War II, Camille Pissarro, The Seine seen from the Pont-Neuf the Louvre in th, Kunstmuseum Bern, www.lostart.de, Museums, Monika Grütters, Deutsches Zentrum für Kulturgutverluste, German Cultural Property Center, Minister of Culture

Gurlitt Bequest to Kunstmuseum Bern is Upheld, Little Else Resolved

Posted by Nicholas O'Donnell on March 30, 2015 at 10:05 AM

A Munich court ruled last week that the will written by Cornelius Gurlitt in the last days of his life that named the Kunstmuseum Bern (an institution with which he had no relationship whatsoever) was valid, rejecting a challenge by Gurlitt’s cousin Uta Werner. It is emblematic of the strange case of Gurlitt and of German’s bizarre handling of the affair, that this decision resolves very few of the pending issues.

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Topics: Conny Leaks, Focus, Carl Spitzweg, Hildebrand Gurlitt, Potemkin Village, Cornelius Gurlitt, Breslau, Henri Hinrichsen, German Minister of Culture, Uta Werner, Gurlitt Task Force, Max Liebermann, Germany, Nazi-looted art, Gurlitt Collection, Seated Woman, Two Riders on the Beach, Entartete Kunst, Salzburg, Gurlitt, NS Raubkunst, Seuddeutsche Zeitung, Restitution, Catrin Lorch, Bavaria, David Toren, World War II, degenerate art, beschlagnahmte Kunst, Austria, Kunstmuseum Bern, Monika Grütters, Martha Hinrichsen, David Friedmann, Henri Matisse, Jörg Häntzschel, Paul Rosenberg

The Kunstmuseum Bern’s Agreement to Accept Gurlitt Inheritance—Analysis and Lingering Issues

Posted by Nicholas O'Donnell on November 24, 2014 at 12:07 PM

With the benefit of (a little) time after the initial announcement that the Kunstmuseum Bern had agreed to accept the inheritance of Cornelius Gurlitt, more information has become available about the agreement with Germany and Bavaria that paved the way for the museum’s decision.

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Topics: Hildebrand Gurlitt, Cornelius Gurlitt, Gurlitt Task Force, YouTube, Gurlitt Collection, Christoph Schäublin, Salzburg, Gurlitt, Restitution, Bavaria, World War II, Erklärung der Bundesregierung der Länder und der k, Kunstmuseum Bern, Washington Principles, Museums, Monika Grütters, Washingtoner Einkommen

One Year After Gurlitt Revelation, No One is Pleased

Posted by Nicholas O'Donnell on November 5, 2014 at 8:59 AM

It has now been one year since Focus magazine in Germany broke the Cornelius Gurlitt story on November 3, 2013. Looking back at the history of the case as it has unfolded since then, the overriding theme has been difficulty in obtaining accurate information about the current state of affairs. The appointed Task Force has made only two recommendations, and the status of the bequest to the Kunstmuseum Bern is still up in the air. And nobody seems remotely pleased.

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Topics: Focus, Schwabinger Kunstfund, Hildebrand Gurlitt, Cornelius Gurlitt, Drefsden, Gurlitt Task Force, Nazi-looted art, Gurlitt Collection, Foreign Sovereign Immunities Act, Lex Gurlitt, Entartete Kunst, Salzburg, Bundesrat, Restitution, Der Spiegel, World War II, Foreign Sovereign Immunities, Switzerland, degenerate art, Kunstmuseum Bern, verschollene Kunst, Münchner Kunstfund, Ronald Lauder

Gurlitt Bequest to Kunstmuseum Bern: German Language Analysis Roundup

Posted by Nicholas O'Donnell on May 9, 2014 at 1:53 AM

Discussion continues to swirl about how the passing of Cornelius Gurlitt this week will affect the review and possible return of the paintings found in his Munich apartment, and those in Austria. Not surprisingly, the majority of reflections on the news that Gurlitt appointed the Kunstmuseum in Bern, Swizterland as his sole heir are in German, Austrian, and Swiss publications. Here are is my roundup of the latest reports:

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Topics: Neue Zürchner Zeitung, Schwabinger Kunstfund, Ingeborg Bergreen-Merkel, Stephan Holzinger, Bad Aussee, Cornelius Gurlitt, Monopol, Gurlitt Task Force, Germany, will, Nazi-looted art, Gurlitt Collection, Matthias Frehner, Entartete Kunst, Salzburg, Restitution, ORF, World War II, Switzerland, Süddeutsche Zeitung, heir, Austria, Kunstmuseum Bern, Washington Principles, Nazi Raubkunst, validity

Gurlitt Names Kunstmuseum Bern as Sole Heir. Will the Museum Want Everything that Comes with That?

Posted by Nicholas O'Donnell on May 8, 2014 at 2:26 AM

Following confirmation by his attorney that Cornelius Gurlitt had left a will, it was further revealed yesterday that Gurlitt had not merely left his collection of paintings with substantial Nazi-looting questions to a museum outside Germany, but that he had named the Kunstmuseum Bern itself as his sole heir. The Kunstmuseum is the oldest museum in Switzerland, with more than 50,000 objects that include works by Vincent van Gogh, Franz Marc and Henri Matisse. The museum responded by releasing a statement that:

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Topics: Schwabinger Kunstfund, Bad Aussee, Cornelius Gurlitt, Gurlitt Task Force, Germany, Nazi-looted art, Gurlitt Collection, Vincent Van Gogh, Entartete Kunst, Salzburg, Restitution, World War II, Switzerland, Austria, Franz Marc, Kunstmuseum Bern, Museums, Nazi Raubkunst, Henri Matisse

The Gurlitt Deal—Prosecutor Gives Collection Back, Agreement Leaves Questions About Process and Transparency

Posted by Nicholas O'Donnell on April 9, 2014 at 11:52 AM

The Augsburg prosecutor for the State of Bavaria announced today that in connection with Monday’s agreement with Cornelius Gurlitt, the 1,280 works of art seized from Gurlitt’s apartment in 2012 have been “returned” to Gurlitt. Though it does not appear that the objects have physically changed locations, the state officially lifted the seizure, and now has access to the collection for further provenance research pursuant to the agreement, rather than the compulsory process by which it retrieved them.

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Topics: German Ministry of Culture, Schwabinger Kunstfund, Cornelius Gurlitt, Bundesministerium für Kultur und Medien, Breslau, Augsburg, Willi Korte, London, Max Liebermann, Claude Monet, Christoph Edel, Gurlitt Collection, Ingrid Begreen-Merkel, Alt Ausee, Hildebrandt Gurlitt, stolen art, State of Bavaria, Reiter am Strand, Salzburg, Restitution, David Toren, Müncher Kunstfund, World War II, Task Force, Süddeutsche Zeitung, Freistaat Bayern, NS-beschlagnahmte Kunst, www.lostart.de, Monika Grütters, Riders on the Beach, Raubkunst, Bayerisches Staatsministerium der Justiz, Bavarian Ministry of Justice, Henri Matisse, Paul Rosenberg

Breakthrough? Gurlitt Signs Agreement with Germany For Continued Research and Commits to Return of Art

Posted by Nicholas O'Donnell on April 7, 2014 at 7:07 AM

Whether Austrian Trove is Included So Far Unmentioned In Reports of Agreement

On the heels of last night’s “60 Minutes” treatment of the Gurlitt saga (which featured Willi Korte and Ingeborg Berggreen-Merkel, two participants at January’s Ersessene Kunst-Der Fall Gurlitt at which I also spoke), news has come today that Cornelius Gurlitt has signed an agreement with the German federal government and the Bavarian Ministry of Justice with respect to the artworks taken from his apartment in 2012. Where recent statements that he intended to return what had been stolen left that outcome entirely to his discretion, he now seems to have committed expressly to some sort of return protocol. The precise details are still unknown.

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Topics: German Ministry of Culture, Schwabinger Kunstfund, Cornelius Gurlitt, Bundesministerium für Kultur und Medien, Willi Korte, London, Claude Monet, Christoph Edel, Gurlitt Collection, Ingrid Begreen-Merkel, Alt Ausee, Hildebrandt Gurlitt, stolen art, Salzburg, Restitution, Müncher Kunstfund, Task Force, NS-beschlagnahmte Kunst, www.lostart.de, Monika Grütters, Raubkunst, Bayerisches Staatsministerium der Justiz, Bavarian Ministry of Justice, Henri Matisse, Paul Rosenberg

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