A Munich court ruled last week that the will written by Cornelius Gurlitt in the last days of his life that named the Kunstmuseum Bern (an institution with which he had no relationship whatsoever) was valid, rejecting a challenge by Gurlitt’s cousin Uta Werner. It is emblematic of the strange case of Gurlitt and of German’s bizarre handling of the affair, that this decision resolves very few of the pending issues.
Topics: Conny Leaks, Focus, Carl Spitzweg, Hildebrand Gurlitt, Potemkin Village, Cornelius Gurlitt, Breslau, Henri Hinrichsen, German Minister of Culture, Uta Werner, Gurlitt Task Force, Max Liebermann, Germany, Nazi-looted art, Gurlitt Collection, Seated Woman, Two Riders on the Beach, Entartete Kunst, Salzburg, Gurlitt, NS Raubkunst, Seuddeutsche Zeitung, Restitution, Catrin Lorch, Bavaria, David Toren, World War II, degenerate art, beschlagnahmte Kunst, Austria, Kunstmuseum Bern, Monika Grütters, Martha Hinrichsen, David Friedmann, Henri Matisse, Jörg Häntzschel, Paul Rosenberg
In a story that never fails to provide new twists and turns, the Kunstmseum Bern, apparently with the collaboration of the German government, is now contesting the idea that the only thing holding up restitution of the works identified as Nazi-looted by the Gurlitt Task Force is the will contest by Cornelius Gurlitt's cousin Uta Werner. Instead, they are now blaming the claimants themselves for the delay in restituting Seated Woman by Henri Matisse, The Cardplayers, by Carl Spitzweg, and Two Riders on the Beach, by Max Liebermann, to the Rosenberg, Henrichnsen, and Friedmann/Toren families, respectively.
Topics: The Cardplayers, Carl Spitzweg, Friedmann, Toren, Henrichnsen, Uta Werner, Max Liebermann, Gurlitt Collection, Seated Woman, Two Riders on the Beach, Matisse, Rosenberg, Gurlitt, Restitution, World War II, German Center for Lost Cultural Property, Deutsches Zentrum für Kulturgutverluste, Henri Matisse
The German government has released an initial list of twenty five works among the collection seized from the Munich (Schwabing) apartment of Cornelius Gurlitt, the most significant discovery of possibly looted art since the end of World War II. The list is posted at www.lostart.de, a hitherto little-known website of the Coordination Point for Cultural Losses (Die Koordinierungsstelle für Kulturgutverluste ) in Magdeburg, which administers claims for cultural losses against the German state. The website has been overwhelmed with traffic (I have yet to load the page successfully), sparking fresh criticism of the government’s handling of the issue, but giving credit where due, the Merkel government has moved swiftly to begin these disclosures. As we predicted, the national government simply could not allow this question to fester and be stonewalled; earlier this week foreign minister Guido Westerwelle noted the risk that delay posed to “trust that we have built over many decades” after World War II. The question now will be whether it continues in a comprehensive way until the full list is released.
Topics: Thinking Woman, Playing Piano, Carl Spitzweg, The Master Exploder Hantsch, Hildebrand Gurlitt, Cornelius Gurlitt, Don Quixote and Sancho Panza, Honoré Daumier, Christoph Voll, Dompteuse, Hans Christoph, Girl at Table, Holocaust Art Restitution Project, Guido Westerwelle, Max Liebermann, Antonio Canaletto, Eugène Delacroix, Tram, Nazi-looted art, Gurlitt Collection, Allegory/Allegorical Scene, View of the Seine Valley, Moorish Conversation on a Terrace, Otto Dix, Erich Fraass, Die Koordinierungsstelle für Kulturgutverluste, Wilhelm Lachnit, Entartete Kunst, Couple, Marc Chagall, Study of a Woman Nude Standing Arms Raised Hands C, Auguste Rodin, Seated Woman/Woman Sitting in Armchair, Child at Table, Magdeburg, Bonaventura Genelli, Patricia Cohen, Restitution, Fritz Maskos, Veiled Woman, Male Portrait, Female nude, Der Spiegel, World War II, degenerate art, Mother and Child, Couple in a Landscape, Ludwig Godenschweg, Théodore Rousseau, www.lostart.de, Otto Griebel, New York Times, Coordination Point for Cultural Losses, Bernhard Kretschmar, Riders on the Beach, Monk, S.A Giustina in Prà della Vale, Kunstfund München, Male Nude, Henri Matisse, Conrad Felixmüller, Woman in the Theater Box, Man and Woman in the Window