I am pleased to be taking part in a symposium at the Skirball Center in Los Angeles on September 26, 2018, “The Future of Nazi Looted Art Recovery in the US and Abroad.” Presented by Cypress LLP and the Sotheby’s Institute of Art/Claremont Graduate University, the program assembles an impressive group of presenters in whose company I’m grateful to be included. Registration is available here, and the schedule is below:
Topics: Nazi-looted art, Daniel McClean, Cypress LLP, Jonathan Neil, Sotheby’s Institute of Art, Skirball Center, Eyal Dolev, Simon Goodman, The Orpheus Clock, Jonathan Petropolous, Claremont McKenna College, The Faustian Bargain, The Art World in Nazi Germany, Dr. Lynn Rother, Holocaust Expropriated Art Recovery Act, HEAR Act, Laurence Eisenstein, Eisenstein Malanchuk LLP, Lothar Fremy, Rosbach & Fremy, Nicholas M. O'Donnell, Sullivan & Worcester LLP, Thaddeus Stauber, Nixon Peabody LLP, Mark Labaton, Stephen Clark, Getty Institute, Simon Frankel, Covington & Burling LLP, Anne Webber, Commission for Looted Art in Europe, Bob Muller, René Gimpel, Lucian Simmons, Sotheby's, Isabel von Klitzing
The National Gallery London hosted on September 12, 2017 the much-anticipated conference “70 Years and Counting: the Final Opportunity?” organized by the United Kingdom Department for Digital, Culture Media & Sport (DCCS), and the Commission for Looted Art in Europe (CLAE). Delegates from numerous countries gathered to consider the state of progress on the efforts to identify and return works of art lost during the Nazi era. While the event had a truly international flair, the discussion centered primarily on the five countries that have created some sort of process to consider assertions of looted art in response to the Washington Principles on Nazi-Confiscated Art: England, France, Austria, the Netherlands, and Germany.
Topics: National Gallery London, Department for Digital Culture Media & Sport, DCCS, Commission for Looted Art in Europe, CLAE, 70 Years and Counting: the Final Opportunity?, Washington Principles on Nazi-Confiscated Art, Advisory Commission, Gabriele Finaldi, David Lewis, John Glen, Minister for the Arts Heritage and Tourism, UK Spoliation Advisory Panel, Sir Paul Jenkins, Dr. Antonia Boström, Victoria and Albert Museum, Imke Gielen, von Trott zu Solz Lammek, Simon Goodman, The Orpheus Clock, Sir Donnell Deeny, Jan Bank, Restitutions Committee of the Netherlands, Dr. Reinhard Binder-Krieglstein, Art Restitution Advisory Board, Kunstrückgabebeirat, Professor Dr. Reinhard Rürup, Jean-Pierre Bady, Commission pour l’indemnisation des victimes, CVIS, Richard Aronowitz-Mercer, Sotheby's, Christie's, Dr. Christian Fuhrmeister, British Library, Johannes Nathan, Nathan Fine Art, Margreet Soeting, Stedelijk Museum, Pierre Valentine, Constantine Cannon LLP, Monica Dugot, Martin Levy, H. Blairman & Sons Ltd., Katrin Stoll, Neumeister Auction House, Tony Baumgartner, Clyde & Co., Zentralinstitut für Kunstgeschichte
The revelation that Bavaria re-sold looted artworks to Nazi families while giving victims and their heirs the run-around for years has clearly touched a nerve at the Bavarian State Paintings Collection (the Bayerische Staatsgemäldesammlungen, or BSGS). Days after the Sueddeutsche Zeitung exposed that the Commission for Looted Art in Europe (CLAE) had given the lie to years of deception by the BSGS, the BSGS issued a long, rambling, and defensive statement in defense of its actions. The statement is a classic case of misdirection. Reaction to the story and the BSGS response can be found at the Observerand the Telegraph.
There were reports over the weekend that the Gurlitt Task Force, currently reviewing the provenance of more than 900 of the 1,280 works of art seized from Cornelius Gurlitt’s apartment, may not complete that review within the year reportedly set out in the agreement between Bavaria and Gurlitt before he died. There is still confusion about whether the Task Force was indeed foreshadowing a missed deadline (the agreement was in April, so the notion that the review would continue “into 2015” is not necessarily inconsistent with completing its task within one year), but assuming it was, what happens then?
Topics: Focus, Schwabinger Kunstfund, Hildebrand Gurlitt, Cornelius Gurlitt, Gurlitt Task Force, Nazi-looted art, Gurlitt Collection, Foreign Sovereign Immunities Act, Commission for Looted Art in Europe, Entartete Kunst, Anne Webber, Restitution, Der Spiegel, World War II, degenerate art, Kunstmuseum Bern, verschollene Kunst, Münchner Kunstfund
The Bavarian prosecutor held a press conference today to discuss the revelation this weekend in Focus that nearly 1,400 paintings had been found in the Munich apartment of Cornelius Gurlitt two years ago, after he aroused suspicion by bringing a large amount of cash back into Germany from Switzerland in 2010. This continues to shape up as the biggest restitution story in decades, perhaps ever. Among the key updates provided today by Sigfried Köble and Reinhard Nemetz, the customs official and prosecutor in charge, respectively:
Topics: Frankfurter Allgemeine Zeitung, unbekannte Meisterwerke, Focus, Hildebrand Gurlitt, Alfred Flechtheim, the Lion Tamer, Cornelius Gurlitt, Reinhard Nemetz, Anne Weber, Gurlitt Collection, Max Beckmann, Bloomberg, Otto Dix, Commission for Looted Art in Europe, Art Market Monitor, Auktionshaus Lempertz, Entartete Kunst, Meike Hoffmann, Marc Chagall, Entdeckung verschollener Kunst, beschlagnahmte Bilder, Kunsthistorikerin, Sigfried Köble, Restitution, Der Spiegel, World War II, Süddeutsche Zeitung, Erben, Raubkunst-Bildern, Löwenbändiger, München, Nazi Raubkunst
The ABA Journal is conducting its annual poll of the best 100 blogs. For arts and the law, the blogs I read the most are below. If you are a blog reader, consider casting a vote. We are all engaged in a great conversation, and your voice matters to what we write. If nothing else, read these blogs!
Topics: Donn Zaretsky, Blogs, MItchell Stein, Kim Herman, Peter Bert, Association for Research into Crimes Against Art, Lee Rosenbaum, Commission for Looted Art in Europe, Plundered Art, CultureGrrl, ARIS, Harry Ekblom, Holocaust Art Research Project, Dispute Resolution in Germany, Looted Art, Marc Masurovsky, The Art Law Blog, ARCA, Trending Trademarks, Business Aviation Law Blog, Center for Art Law