The National Gallery London hosted on September 12, 2017 the much-anticipated conference “70 Years and Counting: the Final Opportunity?” organized by the United Kingdom Department for Digital, Culture Media & Sport (DCCS), and the Commission for Looted Art in Europe (CLAE). Delegates from numerous countries gathered to consider the state of progress on the efforts to identify and return works of art lost during the Nazi era. While the event had a truly international flair, the discussion centered primarily on the five countries that have created some sort of process to consider assertions of looted art in response to the Washington Principles on Nazi-Confiscated Art: England, France, Austria, the Netherlands, and Germany.
Topics: National Gallery London, Department for Digital Culture Media & Sport, DCCS, Commission for Looted Art in Europe, CLAE, 70 Years and Counting: the Final Opportunity?, Washington Principles on Nazi-Confiscated Art, Advisory Commission, Gabriele Finaldi, David Lewis, John Glen, Minister for the Arts Heritage and Tourism, UK Spoliation Advisory Panel, Sir Paul Jenkins, Dr. Antonia Boström, Victoria and Albert Museum, Imke Gielen, von Trott zu Solz Lammek, Simon Goodman, The Orpheus Clock, Sir Donnell Deeny, Jan Bank, Restitutions Committee of the Netherlands, Dr. Reinhard Binder-Krieglstein, Art Restitution Advisory Board, Kunstrückgabebeirat, Professor Dr. Reinhard Rürup, Jean-Pierre Bady, Commission pour l’indemnisation des victimes, CVIS, Richard Aronowitz-Mercer, Sotheby's, Christie's, Dr. Christian Fuhrmeister, British Library, Johannes Nathan, Nathan Fine Art, Margreet Soeting, Stedelijk Museum, Pierre Valentine, Constantine Cannon LLP, Monica Dugot, Martin Levy, H. Blairman & Sons Ltd., Katrin Stoll, Neumeister Auction House, Tony Baumgartner, Clyde & Co., Zentralinstitut für Kunstgeschichte
I am speaking at a conference on March 23-24, 2017 at the University of Cambridge (UK) entitled “From Refugees to Restitution: The History of Nazi Looted Art in the UK in Transnational Perspective.” My presentation will address the various national panels created in response to the Washington Conference by European countries to address claims for Nazi-looted art in state collections. The roster of speakers is impressive (present company excluded), and it promises to be a fascinating two days. The program is available here, and the conference website is here.
Topics: Events, Victoria Louise Steinwachs, Debbie De Girolamo, Sotheby's, Tabitha I. Oost, Evelien Campfens, Leiden University, Bianca Gaudenzi, Emily Löffler, Landesmuseum Mainz, Michaela Sidenberg, Jewish Museum Prague, Mary Kate Cleary, Art Recovery Group, Robert Holzbauer, Leopold Museum, Tessa Rosebrock, Staatliche Kunsthalle, Karlsruhe, Laurel Zuckerman, Shlomit Steinberg, Emmanuelle Polack, Institut National d’Histoire de l’Art, Paris, London, Richard Aronowitz-Mercer, Fluchtgut, Maike Brueggen, Nathalie Neumann, Diana Kostyrko, Simone Gigliotti, Royal Holloway University of London, Elizabeth Campbell, University of Denver, Anne O. Popham, Marc Masurovsky, Holocaust Art Restitution Project, Angelina Giovani, Jewish Claims Conference, Ulrike Schmiegelt-Rietig, Wiesbaden, Jennifer Gramer, Agata Wolska, Nicholas M. O'Donnell, Johannes Nathan, Nathan Fine Art GmbH, Potsdam, Friederike Schwelle, Art Loss Register, Isabel von Klitzing, Provenance Research & Art Consulting, Frankfurt, Pierre Valentin, Constantine Cannon LLP
The ABA Journal has opened voting again on its annual “Blog 100,” a roll of notable legal blogs. I’ve submitted votes for the following blogs (in no particular order), which I have bookmarked and consult regularly. The great thing about blogging, I have found, is the ability it gives the reader (and the blogger) to survey multiple perspectives on a subject. So when resale royalties are under discussion, or fair use, I don’t want to read only articles that I agree with or that take the same approach that I would. I also want to hear something I never would have thought of, and expand the conversation.
Topics: Donn Zaretsky, Paul Howcroft, ABA Journal, Stropheus, Blogs, Judith Prowda, Art Law & More, London, Peter Bert, Fladgate LLP, Richard Lehun, Constantine Cannon LLP, Irina Tarsis, Blog 100, Azmina Jasani, Pierre Valentin, Silberman and Associates, Dispute Resolution in Germany, Art@Law, Boodle Hatfield LLP, Taylor Wessing, Natalia Mikolajczyk, Private Art Investor, The Art Law Blog, Art Law London, Becky Shaw, Tim Maxwell, Center for Art Law, Frankfurt