The German federal cabinet has approved a revision to its cultural heritage protection law notwithstanding overwhelming opposition by essentially everyone who commented, putting the draft on the fast track to legislative enactment next year.
Topics: cultural property, Guelph Treasure, VAT, Georg Baselitz, Germany, Minister of Culture Monika Grütters, EU, Artforum, Kulturgutschutzgesetz, Gerhard Richter, cultural heritage protection law, Michael Werner, Welfenschatz
Germany Runs Counter to 20 Years of International Commitments
As readers know, my clients Alan Philipp and Gerald Stiebel sued the Federal Republic of Germany and the Stiftung Preussischer Kulturbesitz (SPK) in February for restitution of the Guelph Treasure (or Welfenschatz as it is known in Germany), assisted by my co-counsel Mel Urbach, Esq. and Markus Stötzel of Marburg, Germany. As my co-counsel speak to an event tonight hosted by Congresswoman Grace Meng on the anniversary of Kristallnacht, an event inextricable to the persecution of Jews in Europe, Germany’s response to the Complaint advances a stunning revisionism about the Holocaust and the international commitments that Germany has made. While paying lip service to the seriousness of Jewish suffering, the papers filed in court are nothing less than an attempt to move the goalposts to exempt a historical period from responsibility about which there can be no serious debate. Independent condemnation was not far behind the filing.
Topics: Guelph Treasure, Grace Meng, Simon Wiesenthal Center, Shoah, Adolph von Menzel, Hans Sachs, Washington Principles on Nazi-Looted Art, 1943 London Inter-Allied Declaration, Dachau, Holocaust, Mel Urbach, SPK, George Eduard Behrens, Nuremberg race laws, Holocaust revisionism, Stiftung Preussischer Kulturbesitz, Marburg, Restitution, Los Angeles, Gerald Stiebel, World War II, Markus Stötzel, Saemy Rosenberg, Deutsches Historisches Museum, Reichskristallnacht, Isaac Rosenbaum, Lucie Ruth Hackenbroch, Federal Republic of Germany, Zacharias Hackenbroch, Pariser Wochentag, Rabbi Abraham Cooper, Paris Weekday, Alan Philipp, Welfenschatz, Military Government Law 59, Frankfurt
After two months of scathing criticism, the German Ministry of Culture has submitted a watered-down, but still problematic, revision to its Cultural Heritage Protection Law. Back in July, Minister of Culture Monika Grütters announced the initial proposal to amend Germany’s law, or Kulturgutschutzgesetz. The revision, however, is optical at best, and seems targeted only to soften criticism while still taking a regressive view of cultural property that is more at home in the 18th century than the 21st. It will probably pass, to the detriment of forward thinking art market players who will move their trade elsewhere.
Topics: cultural property, Guelph Treasure, Georg Baselitz, German Cultural Ministry, U.S., Restitution, UNESCO, Switzerland, Austria, Kulturgutschutzgesetz, Gerhard Richter, Museums, Andy Warhol, Monika Grütters, Cultural Heritage Protection, Native American Graves Protection and Repatriation, NAGPRA
The Staatsgalerie Stuttgart has agreed to return Bildnis Pfalzgraf Johann III (Portrait of Elector-Palatine Johann III), ca. 1526, by Hans Wertinger to the heirs of the art dealers Saemy Rosenberg and Isaak Rosenbaum, the owners of the art dealer firm I. Rosenbaum in Frankfurt. Rosenbaum and Rosenberg sold the Wertinger in 1936, but the proceeds were paid into a Nazi-blocked account. The work eventually ended up with collector Heinrich Scheufelen in 1948.
Topics: Guelph Treasure, Stefan Koldehoff, Joint Declaration, Nazi-looted art, Baden-Württemberg, Washington Principles on Nazi-Looted Art, Heinrich Scheufelen, Die Bilder Sind Unter Uns, SPK, Portrait of Elector-Palatine Johann III, Stiftung Preussischer Kulturbesitz, Nazi terror, Isaak Rosenbaum, Deutschlandfunk, Restitution, coerced sale, World War II, Staatsgalerie Stuttgart, Saemy Rosenberg, Jürgen Walter, Museums, forced sale, Zacharias Hackenbroch, Bildnis Pfalzgraf Johann III, Welfenschatz, The Pictures Are Under Us, I. Rosenbaum, Frankfurt
The Boston Globe published a story today entitled “Gift to Hitler spurs a claim for justice" about the Welfenschatz case that I filed for my clients earlier this year.
The release last week of The Woman in Gold, the feature film adaptation of The Lady in Gold by Anne Marie O’Connor, starring Helen Mirren and Ryan Reynolds as Maria Altmann and her attorney E. Randol Schoenberg, respectively, as well as Tatiana Maslany as the younger Altmann and Daniel Brühl as Austrian journalist Hubertus Czernin, is an important opportunity to reflect on the legal importance of the case. Even today, the case provides lessons about the way some victims are still treated, and how one individual can make sure the past is never forgotten. The looting of Jewish art collections was a concerted effort whose prominence should never be forgotten. And perhaps even more, it robs those who did survive of the dignity of remembering their family experiences. Consider: the next time you gather with your extended family, look around the room. Pick something that you’re accustomed to seeing when the family meets. Now, imagine it had been stolen or surrendered under duress, and was hanging on the wall of a national collection that denied it had been taken. How would you feel? This is the dilemma faced by many claimants, and it is precisely why Altmann matters so much.
Topics: Maria Altmann, The Lady in Gold, Adele Bloch-Bauer, Guelph Treasure, The Woman in Gold, Daniel Brühl, Germany, Nazi-looted art, Academy of Fine Arts, Foreign Sovereign Immunities Act, Hitler, Tatiana Maslany, Anne Marie O’Connor, Supreme Court, A Few Good Men, Belvedere, E. Randol Schoenberg, World Jewish Congress, Stiftung Preussischer Kulturbesitz, Ryan Reynolds, FSIA, expropriation exception”, Restitution, Neue Galerie, World War II, Foreign Sovereign Immunities, Switzerland, Ferdinand Bloch-Bauer, Helen Mirren, Museums, Fritz Altmann, Gustav Klimt, Vienna, Welfenschatz, Hubertus Czernin, Ronald Lauder, Austrian National Gallery
Shortly after reports that two of the objects found in Cornelius Gurlitt’s possession in 2012 would “be restituted “soon” to the families from which they were looted under Nazi auspices pursuant to the three recommendations of the Gurlitt Task Force to date, the Task Force has now issued a fourth recommendation. The newest work to be identified for restitution is a Camille Pissarro painting, The Seine seen from the Pont-Neuf, the Louvre in the background.
Topics: Guelph Treasure, Cornelius Gurlitt, Uta Werner, Gurlitt Task Force, Gurlitt Collection, Salzburg, Restitution, District Court of Munich, World War II, Camille Pissarro, The Seine seen from the Pont-Neuf the Louvre in th, Kunstmuseum Bern, www.lostart.de, Museums, Monika Grütters, Deutsches Zentrum für Kulturgutverluste, German Cultural Property Center, Minister of Culture
As expected, the Austria’s Advisory Committee (Der Beirat gemäß § 3 des Bundesgesetzes über die Rückgabe von Kunstgegenständen aus den Österreichischen Bundesmuseen und Sammlungen, BGBl. I Nr. 181/1998 i.d.F. BGBl. I Nr. 117/2009, (Kunstrückgabegesetz)) issued a decision on Friday with respect to the Lederer family’s claim to the famous Beethoven Frieze. In a lengthy opinion, the Committee recommended against restitution, prompting widespread speculation about what the claimants would do next. The mural is installed at Vienna's iconic Secession Museum (my photograph of the museum exterior, taken today, is below), and is one of the icons of fin-de-siècle Vienna.
Topics: Guelph Treasure, Kunstrückgabebeirat, Galerie St. Etienne, Strasbourg, European Court of Human Rights, Marc Weber, Beethoven Frieze, Beethovenfries, Restitution, Jane Kallir, World War II, Foreign Sovereign Immunities, Der Beirat gemäß § 3 des Bundesgesetzes über die R, Lanter Rechtsanwälte, Secession Museum, Gustav Klimt, (Kunstrückgabegesetz), Vienna
It has been almost two weeks since I filed my clients’ claims for restitution of the Guelph Treasure (Welfenschatz).
Topics: Maria Altmann, Frankfurter Allgemeine Zeitung, National Socialists, Third Reich, artdaily.org, Reuters, United States Supreme Court, Guelph Treasure, Gestapo, Haaretz, Deutschlandradio. Deutsche Presse Agentur, Robin Young, the Guardian, The Art Newspaper, Foreign Sovereign Immunities Act, The Wall Street Journal, Deutsche Welle, Santa Fe, KRQE News 13, the Observer, Markus Stoetzel, Die Erle, Mel Urbach, Nazis, Advisory Commission, 3SAT, ZDF, Stiftung Preussischer Kulturbesitz, Washington DC, Hermann Goering, Private Wealth, Restitution, Sullivan & Worcester LLP, Here & Now, Gerald Stiebel, World War II, Foreign Sovereign Immunities, flight tax, Süddeutsche Zeitung, Adolf Hitler, United States District Court, The New York Times, Federal Republic of Germany, BBC News Europe, Alan Phillip, Welfenschatz, NPR, PrivateArtInvestor, ArtNet news
I filed yesterday a new civil action against the Federal Republic of Germany and the Stiftung Preussischer Kulturbesitz (the SPK, which is responsible the administration of the Berlin museums, among other things) in the United States District Court in Washington, DC. You can read the Complaint here. The lawsuit seeks the immediate restitution to my clients of the collection held by the SPK known as the Welfenschatz, or as it is referred to in English, the Guelph Treasure. My clients Gerald Stiebel and Alan Phillip are the blood relatives and successors to the consortium of Jewish art dealers who were threatened and forced by the National Socialist government into selling the Welfenschatz in 1935.
Topics: Maria Altmann, National Socialists, Third Reich, Philipp v. Federal Republic of Germany et al. 15-c, United States Supreme Court, Guelph Treasure, Gestapo, Foreign Sovereign Immunities Act, Markus Stoetzel, Mel Urbach, Nazis, Advisory Commission, Stiftung Preussischer Kulturbesitz, Washington DC, Hermann Goering, Restitution, Sullivan & Worcester LLP, Gerald Stiebel, World War II, flight tax, Adolf Hitler, United States District Court, Federal Republic of Germany, Alan Phillip, Welfenschatz