The New York Times reported yesterday that the German Lost Art Foundation had removed several paintings once owned by the Viennese cabaret actor Fritz Grünbaum from the Lost Art database. While the history of these objects is hotly contested, it was a particularly strange choice given that Grünbaum’s heirs just won a judgment earlier this year that the works by Schiele must be returned to them—by reason of Nazi duress. For a database that has never been suggested as an adjudication of rights but rather as a repository of notice to the world of possible title issues, it was a perplexing choice. Against the backdrop of the party that the German government and the foundation are throwing themselves in November for which few outsiders have been able to register, the explanation appears much less benign particularly against the backdrop of the government’s historical revisionism in U.S. federal court litigation.
Topics: German Lost Art Foundation, Fritz Grünbaum, New York Times, Nazi-looted art, NS Raubkunst, Egon Schiele, Seated Woman With Bent Left Leg (Torso), Kieslinger, Mathilde Lukacs, A Tragic Fate, Cornelius Gurlitt, laches, Woman in a Black Pinafore, Woman Hiding her Face, res judicata, Charles E. Ramos, Die Koordinierungsstelle für Kulturgutverluste, Magdeburg, Bavaria, Germany, Task Force, Guelph Treasure, Holocaust, National Gallery
(WASHINGTON-July 10, 2018) The U.S. Court of Appeals for the D.C. Circuit has affirmed the right of the heirs to the so-called Guelph Treasure (known in German as the Welfenschatz) to seek restitution in U.S. courts for the value of the treasured art collection. The appellate court rejected Defendants’ arguments that U.S. courts lack jurisdiction, or that Germany’s treatment of its Jews in the 1930s should be immune from judicial scrutiny. While the Federal Republic of Germany itself was dismissed as a defendant, the actual possessor and key party in interest (the Stiftung Preussischer Kulturbesitz, or SPK) must now prove that a 1935 transfer of the collection by a consortium of Jewish art dealers to Hermann Goering’s minions was a legitimate transaction if they are to retain the collection.
Topics: Guelph Treasure, Welfenschatz, Germany, SPK, Sullivan & Worcester LLP, Nicholas M. O'Donnell, Foreign Sovereign Immunities Act, FSIA, D.C. Circuit, Consortium, Genocide Convention, J.S. Goldschmidt, I. Rosenbaum, Z.M. Hackenbroch, Adolf Hitler, Hermann Goering, Prussia, Luftwaffe, Reichstag, Gestapo, flight taxes, Baltimore Sun, Markus Stoetzel, Mel Urbach, NS Raubkunst, Nazi-looted art
Topics: Cornelius Gurlitt, Nazi-looted art, NS Raubkunst, Deutsches Zentrum Kulturgutverluste, German Center for Cultural Property Losses, Portrait of a Seated Young Woman, Porträt einer sitzenden jungen Frau, Thomas Couture, Georges Mandel, Munich, Salzburg, Gurlitt Task Force, Taskforce Schwabinger Kunstfund, Kunstmuseum Bern, Kulturgutschutzgesetz, Monika Grütters, Rose Valland
News Accompanied by Deafening Silence About Ongoing Restitution Policy Failures
The German government announced recently that it had returned an additional work of art found in the Salzburg home of Cornelius Gurlitt in connection with the 2013 revelation of Gurlitt’s trove of art originally in the possession of his late father Hildebrand. La Seine, vue du Pont-Neuf, au fond le Louvre by Camille Pissarro (1902) has been returned to the heirs of Max Heilbronn, from whom it was taken in 1942 in France. The accompanying announcement was of a piece with the ongoing fiasco of the Gurlitt affair: a press release touting the personal involvement of Germany’s Minister of Culture Monika Grütters, a self-serving but vague statement about commitments to restitution, and absolutely no explanation or update about what is happening to the hundreds of additional paintings and objects under investigation. The press release was also sure to mention an upcoming exhibition of Gurlitt collection works later this year. In sum, the announcement confirms precisely the opposite of its intended effect.
Topics: Cornelius Gurlitt, Hildebrand Gurlit, Gurlitt, Washington Conference Principles, Monika Grütters, Minister of Culture, Germany, Welfenschatz, Guelph Treasure, NS Raubkunst, Nazi-looted art, Kunstmuseum Bern, Taskforce Schwabinger Kunstfund, Gurlitt Taskforce
The decision on Friday to allow our clients’ claims to proceed against German and the Stiftung Preussischer Kulturbesitz for the restitution of the Guelph Treasure (or Welfenschatz) is ground-breaking in important respects, and a welcome part of a consistent progression in the law of sovereign immunity over claims for Nazi-looted art. As we noted in our initial reaction, it is the first decision in which a U.S. court has held that it has jurisdiction over Germany or an agency or instrumentality of it under the Foreign Sovereign Immunities Act (FSIA) for a claim to Nazi-looted or purchased art—though others have certainly tried—in this case finding the so-called expropriation exception applies. Critically, it recognizes that claims about forced sales in the early days of Nazi persecution indeed create jurisdiction. Moreover, the court agreed with our clients that Germany’s various excuses to avoid litigating the substance of a forced sale involving Hermann Goering based on pleas for deference or respect to the flawed Advisory Commission are no reason to dismiss the case.
Topics: Guelph Treasure, Welfenschatz, FSIA, Foreign Sovereign Immunities Act, NS Raubkunst, Nazi-looted art, Stiftung Preussischer Kulturbesitz, SPK, Germany, Advisory Commission, sovereign immunity, expropriation exception”, HEAR Act, Hermann Goering, Preemption
Under Landmark Ruling, Germany Must Now Defend Nazi-Looted Art Claims in U.S. Court
WASHINGTON (March 31, 2017)- The United States District Court for the District of Columbia has ruled that claims over the famed Guelph Treasure can proceed against Germany in a United States court. This is the first time Germany will have to defend itself in the U.S. against allegations of looted Nazi art and artifacts. The claims arise out of the 1935 forced sale by a consortium of Jewish art dealers to Hermann Goering’s minions of the famed collection of medieval artifacts known as the Guelph Treasure. The claims were filed by clients of Sullivan & Worcester LLP against the Federal Republic of Germany and the Prussian Cultural Heritage Foundation (the Stiftung Preussischer Kulturbesitz, or SPK). The court rejected the Defendants’ arguments that they are immune from suit and held that the Plaintiffs’ claims can be considered a taking of property in violation of international law for the purpose of evaluating the court’s jurisdiction over Germany and the SPK.. Jed Leiber, Alan Philipp, and Gerald Stiebel may now proceed to litigate their claims for their property’s rightful return. Leiber, Philipp, and Stiebel are also represented by S&W’s co-counsel in this matter, Markus Stötzel and Mel Urbach, experienced counselors in the return of Nazi-looted art who have been fighting this case for over eight years and who decried Germany continuing to defend the Nazis’ and Herman Goering’s theft from Jews.
Topics: Guelph Treasure, Welfenschatz, Nazi-looted art, NS Raubkunst, SPK, Stiftung Preussischer Kulturbesitz, Federal Republic of Germany, Hermann Goering, Nicholas M. O'Donnell, Mel Urbach, Markus Stötzel, Foreign Sovereign Immunities Act, FSIA, expropriation exception”, J.S. Goldschmidt, I. Rosenbaum, Saemy Rosenberg, Zacharias Hackenbroch, Adolf Hitler, Paul Körner, Wannsee Conference
Cousin Had Challenged His Capacity to Make a Will Shortly Before 2014 Death
After a two-year legal battle, the Oberlandesgericht in Munich has upheld the dismissal of Uta Werner’s challenge to the will made by Cornelius Gurlitt in 2014 that designated the Kunstmuseum Bern as his heir, including the bequest of his controversial painting collection. Less than six months after it was revealed in November 2013 that the Bavarian authorities had seized 1,280 objects from his Schwabing home in Munich, Gurlitt wrote a will that designated that his entire collection would go to the Swiss museum. Barring some extraordinary appeal, the bequest will now be final and the collection will go to Switzerland. While lifting considerable uncertainty about the fate of the collection as a whole, this development does not address the lack of clarity about the process by which the objects that are suspected of having been looted by the Nazis will be examined or returned.
Topics: Gurlitt, NS Raubkunst, Cornelius Gurlitt, Hildebrand Gurlitt, Kunstmuseum Bern, Nazi-looted art, Washington Principles, Nazi-looted art in Munich, Munich, Uta Werner, Oberlandesgericht, SZ, Sueddeutsche Zeitung, Jörg Häntzschel, Catrin Lorch, Bürgerliches Gesetzbuch (BGB), Free State of Bavaria, Bayern
Congress has passed and President Obama is expected to sign two bills related to looted art and the availability of U.S. courts to hear disputes over them. The Holocaust Expropriated Art Recovery (HEAR) Act of 2016 and the Foreign Cultural Exchange Jurisdictional Clarification Act (FCEJCA, for lack of a handy acronym) were both passed without objection both the House of Representatives on December 10, 2016, and are expected to be signed by President Obama shortly. The HEAR Act is a major shift in the law of Nazi-looted art claims specifically, while the FCEJCA is controversial but unlikely to have a broad impact one way or another. It is perhaps most remarkable that in an era of unique partisanship and political polarization, members of Congress from both parties and the President agreed on anything, let alone unanimously (sponsors include such unusual allies as Ted Cruz, Richard Blumenthal, John Cornyn, and Charles Schumer).
Topics: Holocaust Expropriated Art Recovery Act, Immunity from Seizure Act, 22 U.S.C. § 2459, Russia, Chabad, 28 U.S.C. § 1605, expropriation exception”, FSIA, Foreign Sovereign Immunities Act, Welfenschatz, Alfred Flechtheim, Foreign Cultural Exchange Jurisdictional, Guelph Treasure, World War II, Restitution, Nazi-looted art, NS Raubkunst, Legislation, Ted Cruz, Charles Schumer, John Cornyn, Richard Blumenthal, Mikhail Piotrovsky, Politico, State Hermitage Museum, Anita Difanis
Paintings by Beckmann, Gris and Klee Valued at Nearly $20 Million That Once Belonged to Flechtheim Are at Issue in New York Lawsuit
Sullivan & Worcester LLP has filed suit against Bavaria and its state museums in U.S. District Court in Manhattan on behalf of our clients Dr. Michael Hulton and Mrs. Penny Hulton, heirs to the renowned and persecuted Jewish art dealer Alfred Flechtheim. The Hultons have asked the United States District Court for the Southern District of New York to restitute several paintings by Max Beckmann, Paul Klee, and Juan Gris that are now in the possession of the German federal state of Bavaria, Adolf Hitler’s and the Nazi party’s homeland, and its Bavarian State Paintings Collections (known in German as the Bayerische Staatsgemäldesammlungen, or BSGS). We are aided in this case by our co-counsel Markus Stoetzel and Mel Urbach, Esq.
Topics: Restitution, Alfred Flechteim, Dr. Michael Hulton, World War II, NS Raubkunst, Nazi-looted art, Gurlitt, Bavaria, Bayerische Staatsgemäldesammlungen, Max Beckmann, Juan Gris, Paul Klee, Cornelius Gurlitt, Monuments Men, Sullivan & Worcester LLP, Markus Stoetzel, Mel Urbach, FSIA, Foreign Sovereign Immunities Act, George Grosz, Deutschlandradio. Deutsche Presse Agentur, Frankfurter Allgemeine Zeitung
Three New Members Are Added but German Museums Can Still Decline to Participate
After nearly a year of hinting at changes the Advisory Commission in Germany that makes recommendations to state museums on claims for allegedly Nazi-looted works in their collections (“Beratende Kommission im Zusammenhang mit der Rückgabe NS-verfolgungsbedingt entzogener Kulturgüter, insbesondere aus jüdischem Besitz,” or “Advisory Commission on the return of cultural property seized as a result of Nazi persecution, especially Jewish property”), the federal government announced last week the addition of three new members. Yet despite public outcry over the outdated and opaque procedures of the commission (better known as the Limbach Commission, in reference to the late Jutta Limbach, presiding member and former judge of the Constitutional Court), none of the fundamental flaws in the panel have been confronted or addressed. Instead, the occasion has served as little more than another photo opportunity for federal Minister of Culture Monika Grütters, whose visage dutifully accompanies all the recent announcements.
Topics: Limbach Commission, Beratende Kommission, NS Raubkunst, Gurlitt, Looted Art, Legislation, Raphael Gross, Gary Smith, Marion Eckart-Hofer, Simon Dubnow Institute, American Academy in Berlin, Stefan Koldehoff, Frankfurter Allgemeine Zeitung, Süddeutsche Zeitung, Monika Grütters, Rudiger Mahlo, Bavarian State Paintings Collection, Bayerische Staatsgemäldesammlungen, Jewish Claims Conference, World War II, Restitution