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“Between Fairness and Justice for Successors and Possessors”—an Upcoming Conference at the Oskar Reinhart Museum in Winterthur

Posted by Nicholas O'Donnell on August 24, 2015 at 5:37 AM

I won’t be in the neighborhood, but the Oskar Reinhart Museum in Winterthur (Switzerland) is putting on a conference for the second year in a row on August 31. 2015 wrestling with the issue of “flight goods” in particular. “Flight goods” refers to property that was not stolen outright, nor sold under duress, but left behind because of a flight in haste from persecution. Awareness has increased in recent years about this as a category of looted property to be addressed. As with other categories, issues of law, morality, and the rights of subsequent good faith owners/possessors make for interesting discussions. Notable presenters include Matthias Frehner, whose Kunstmuseum Bern is grappling with the Gurlitt bequest, and Anja Heuss, whose Staatsgalerie Stuttgart recently restituted a work to the heirs of I. Rosenbaum. All the speakers and topics look excellent.

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Topics: Berlin, Dr. Peter Raue, Walter Feilchenfeldt, Esther Tisa Francini, Museum Rietberg, Olaf Ossmann, Cornelius Gurlitt, Marc Fehlmann, Art Dealers Association of Switzerland, Between Fairness and Justice for Successors and Po, Oskar Reinhart Museum, Anja Heuss, Kulturstiftung der Länder, Deutsches Zentrum Kulturgutverluste, Claudius Ochsner, Matthias Frehner, Alexander Jolles, Winterthur, Dr. Stephanie Tasch, Kunsthandelsverband der Schweiz, Karin Salm, Universität Salzburg, Thomas Buomberger, Restitution, Events, Johannes Nathan, Looted Art, World War II, Staatsgalerie Stuttgart, Switzerland, Kunstmuseum Bern, Andrea Baresel-Brand, flight goods, Zürich, Prof. Dr. Georg Graf, Radio SRF 2, I. Rosenbaum, Sibylle Ehringhaus

Staatsgalerie Stuttgart Restitutes Wertinger Painting to Rosenbaum and Rosenberg Heirs, Citing Importance of Blocked Accounts That Also Support Guelph Treasure Claim

Posted by Nicholas O'Donnell on August 20, 2015 at 5:34 AM

The Staatsgalerie Stuttgart has agreed to return Bildnis Pfalzgraf Johann III (Portrait of Elector-Palatine Johann III), ca. 1526, by Hans Wertinger to the heirs of the art dealers Saemy Rosenberg and Isaak Rosenbaum, the owners of the art dealer firm I. Rosenbaum in Frankfurt. Rosenbaum and Rosenberg sold the Wertinger in 1936, but the proceeds were paid into a Nazi-blocked account. The work eventually ended up with collector Heinrich Scheufelen in 1948.

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Topics: Guelph Treasure, Stefan Koldehoff, Joint Declaration, Nazi-looted art, Baden-Württemberg, Washington Principles on Nazi-Looted Art, Heinrich Scheufelen, Die Bilder Sind Unter Uns, SPK, Portrait of Elector-Palatine Johann III, Stiftung Preussischer Kulturbesitz, Nazi terror, Isaak Rosenbaum, Deutschlandfunk, Restitution, coerced sale, World War II, Staatsgalerie Stuttgart, Saemy Rosenberg, Jürgen Walter, Museums, forced sale, Zacharias Hackenbroch, Bildnis Pfalzgraf Johann III, Welfenschatz, The Pictures Are Under Us, I. Rosenbaum, Frankfurt

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About the Blog


The Art Law Report provides timely updates and commentary on legal issues in the museum and visual arts communities. It is authored by Nicholas M. O'Donnell, partner in our Art & Museum Law Practice.

The material on this site is for general information only and is not legal advice. No liability is accepted for any loss or damage which may result from reliance on it. Always consult a qualified lawyer about a specific legal problem.

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